INTERVIEW: SI MARTIN OF JUNIOR


Si Martin is one of my favourite people in the pop-punk scene right now. Not only is he the drummer of Junior, a band who's recent album 'Beautiful Life' absolutely blew me away (You can check out my overwhelmingly positive review via Invicta mag!), but he's also the co-founder of mental health non-profit 'Heads Above The Waves' which is such an important cause and something that means a lot to me and many others.
I had the opportunity to speak to him about both of these things, and hear his thoughts on drumming, mental health, touring and more!

So, you play the drums in Junior, I've seen you say that drums are what you always go to when you're struggling with mental health and as a drummer, I can definitely relate. Do you mind telling me a bit more about that? 

 Yeah! Aw dude, it’s the best. I wish I could look back and say I had some sort of light bulb moment of inspiration that drums was the thing that could help in dealing with stuff, but honestly, it was more of a gradual process. I’d been struggling with self-harm for a few years as a teenager, and now with the benefit of hindsight, I can look back and see that I was feeling a lot of anger and frustration and didn’t really see any way for dealing with those and processing those emotions other than taking them out on myself. But then gradually over time, I found myself thrashing my drums every time I felt those feelings, and it helped, cuz I was doing something with all that frustrated energy, and actually creating something out of it instead of it hurting me. It was awesome to see progress too - I went from not being able to play something to being able to play it after practising, so that feels good too. Ooh! And doing the rudiments (so like, patterns with your hands and feet that you do instead of scales in drums) is something repetitive to focus on, and particularly if you’re learning a new rudiment, or playing along to something particularly tricky, it takes up all your concentration, and means you’re focussing on what all your limbs are doing rather than all the other stuff that’s going on in your life. So yeah, drums are sick.

Junior just released their first album and did a release tour, how did it go and how are you feeling in the aftermath of all that?

 It was great! I know we’ve probably said it about other tours in the past, but this was legit the best we’ve done. Even the shows that we were a bit worried about turned out to be great. Well attended, well received. There were people singing along to all our songs, which considering the album had only been out for a few days by the time we were playing those songs to folks is actually quite impressive..! I just wish it could’ve lasted longer! I’m well keen to get back out and do it all over again!

What's your best advice for staying happy and okay on tour? 

Truth be told, I had a bit of a breakdown not long before we went away on this tour. I’m very lucky to be around a super supportive group of people whenever we tour; the other two guys in the band and our crew that we go out with are all really understanding. I shot the guys a message before we left to just give them a heads up that I might need a bit more time and space on this run, or that I might not be up for partying every night (which is fine cuz none of us are really party animals anyway..!) and they were amazing about it. So I think honesty is super important. Touring is such a weird bubble where you spend loooooads of time with the same small group of people, usually in quite close quarters, so I think it’s super important to be up front & honest with them, and honest with yourself too for that matter. Know what your limits are - physically, mentally, and emotionally. Oh, the other tip that I’ve realised is great is to have a pair of ‘God Tier’ socks and underwear in your bag. Save these for the day that you feel not so sparkly and need a lil pick me up that no-one knows about apart from you. It might not make everything better, but it’s a nice little thing that helps you feel a bit more special and is just for you. I’ve found myself doing this loads while touring recently.

The album "Beautiful Life" has a lot of very positive lyrical themes, do you have a favourite lyric and why? 

I recently had to try and pick one - we do these posi lyric posts from HATW and I did a Junior one for the day the album came out, and picking just one was really hard..! I’m gonna cheat a little in this, and go for the line “Press yours to mine; feel from the inside; it’s ok to not feel alright” - not necessarily because of the lyric itself (though I do think that ‘Girls and Boys’ is one of the most posi songs, and def one of my favourite Junior songs we’ve ever written), but because of the way that bridge section feels. I can’t really put my finger on it, but that whole bit just gets me, whether I’m playing it or listening back to it!

Linking to the positive lyrics, you also run a mental health non-profit called "Heads Above The Waves" can you tell me some more about that? 

 Yes! Heads Above The Waves is a non-profit Community Interest Company (which is basically like a charity but not a charity), and the whole vibe is to try and improve young people’s mental health. But specifically we do a lot of work with young people dealing with self-harm, and trying to introduce the idea that self-harm is a coping mechanism, but a harmful one, so we try and introduce more positive coping mechanisms to people as a short term fix, and try to give them a space and enable them to feel equipped to have conversations to get to the root of what they’re trying to cope with in the first place. We do school workshops, we’ve got an online presence, and we sell merch with a message to help fund our work, and hopefully start conversations - we do that out of our shop in Cardiff, and at all sorts of events, from national festivals down to local art shows.

I know it very closely links mental health with music, do you think the two go together?

Yeah, 100%. I think a lot of folks who perhaps struggle with their mental health are drawn to the alternative scene. I wouldn’t like to give a proper cause as to why, but it strikes me that a place where you can be accepted as you are (which is generally a little different to mainstream society) and be around people who understand you for you, that’s gotta be appealing - especially if you’re struggling with how you fit into this crazy old world of ours. I also think that music can be such a cathartic process. Whether that’s creating songs out of painful experiences, or just using it as a way to vent feelings (like me ragging my drum kit), as a creator of music, it helps hugely. But then as a consumer of music too; for as long as I can remember, I’ve had songs that make me feel something, or even just being able to relate to someone on the other end of a speaker who’s been through a similar experience and it’s made me feel less alone - those are some powerful moments.

What is your favourite part of running Heads Above The Waves and what are you most proud of?

Well, it’s funny. I’ve never really seen myself as a businessman. I never actually ever had any intention of running my own thing; I always assumed I’d go down that “traditional” route of getting a job and working up the ladder. So I think legit to just be running HATW alongside Hannah, who’s been in it from the start, is something I’m quite proud of in itself - and the fact that it’s still going is pretty cool to me. But since day one, we’ve always said that if we can reach or help just one person then it’s all been worthwhile. I’d say my favourite part is knowing that we’ve done that. There’s been people we’ve reached with our message or our content, and it’s encouraged them to reach out and get help, or to try new things and kick self-harm, or to just become the version of them that they want to be. It’s the most frustrating bit too, cuz it’s not so easy to measure that sorta impact, but anecdotally, hearing that someone who’s in the same position I was in when I was younger now feeling better cuz of HATW? Man. That gets me out of bed in the mornings.

Where do you hope to go with it in the future?

Honestly, I’d like to be able to make it a full time career, for myself and for others. I’d love to be able to bring in a bunch of new folk to be able to help lead more workshop sessions and do some hands on stuff in schools, as well as growing the online side of things. I’d REALLY love to branch out and open some more shops, but managing one is enough of a job in itself at the moment haha. But who knows!

Finally, what's your advice to anyone else struggling? 

 You have no idea what amazing things are waiting just ahead of you. This rubbish you’re feeling stuck in right now - it won’t last forever. Things can, and do, and will get better for you. Just don’t give up and keep on fighting, for yourself. Don’t do it because anyone else tells you to. Do it for you. For your future. And for the amazing person you’re going to become. This difficult time right now is gonna make you stronger, and once you’re out the other side, it’s going to be something you look back on and know just how strong you are.


You can check out the Heads Above The Waves site here - which includes resources, merch, advice, playlists and more!

and you can stream the new Junior album, Beautiful Life, which is out now!


INTERVIEW: LUKE RAINSFORD

Before his Brighton gig I had the pleasure of interviewing the wonderful Luke Rainsford. He was an incredibly lovely guy and we chatted about everything from 2000 Trees and new music plans, to his worst interview experiences (luckily he didn't say this one!) and some of the weird and wonderful - and in this case, bird themed - things that can be found hidden amongst the internet.


So you just played 2000 Trees, how was that?

Oh it was great! I ended up playing like four sets, which was really cool. My main set was on Wednesday night so we didn't expect anyone to come, but it was really busy so that was cool as hell. I also played the busking stages where I played some weird sets, new songs and covers and stuff. It was really fun! I had a great time.

You've played Trees a few times before, what's your favourite part of it?

I love how friendly it is! A lot of festivals everyones there just to get super drunk and stuff, which is cool but Trees is a lot more chilled out! Also, the lineup is always so varied. My music taste is all over the place and it's really cool for that because I can go see like an emo band or a punk band, a heavy band or something more chill so yeah, it's really cool for that!

It's obvious you enjoy it, you played so many sets this year! What's your favourite thing about playing shows?

It depends on the show! I love playing small sweaty shows! With festivals and stuff it's always cool playing weirder places, like a forest with Trees or Slam Dunk north last year was a university campus, I love the weirdness. You always end up doing weird things and playing to weird people, It's really fun!

Do you have a favourite venue to play?

I'm a big fan of The Sunflower Lounge in Birmingham, that's great. Key Club in Leeds is great as well.  Those are my favourites for sure!

Are there any venues you want to play that you haven't yet?

I've already kinda achieved my main goal - I always wanted to play Underworld [Camden] and I did that in March, which was cool as hell! If i was being ridiculously over-optimistic it'd be Brixton Academy - I saw Blink there when i was like 18 and that was rad as hell so, probably that!

Do you have a favourite song to play live?

This changes like every week - anything except home safe! At the minute it's probably new songs that I haven't been able to play much, I've been practising those for when I make the new record.

What about favourite song you've ever released? 

Probably What I Hide Beneath! I'm proud of it, I think it was really ambitious. It goes through so many vibes in such a short space of time, and it doesn't really repeat itself which I'm really stoked on. I don't really play it live that much, because it's a killer to sing and it doesn't really translate solo, but I love it.

Do you prefer playing full band then?

100%! I don't really like acoustic music that much - I'm not ashamed of saying that! I've said it my entire music career, but I won't be playing acoustic stuff much longer! My new music is not gonna be very acoustic at all which I'm really excited about. obviously I still love acoustic shows! Theres just something about playing a tour with lots of people which is the best experience, the shows are so fun!

Favourite band you've toured with?

Holding Absence! No question, don't even need to think about that!

I gotta ask, what do you think of Luke Birdsford? [A twitter account that posts photos of luke photoshopped as birds, very entertaining stuff]

The internet is a weird weird place, but I think it's cool as hell that someone has dedicated their time to making really dumb memes about me! It's super funny and a cool way to interact with people in a different way. I love that me making music has led to a meme account about me! I've never experienced anything like that, It's really funny

Finally, thank you for doing this interview! I hope it wasn't too much of a disaster.

Not at all! I had an interview once where the interviewer knew absolutely nothing about me, she literally said "So, you released music? What was that?" So this is far from the worst!

LUKE RAINSFORD - I JUST DON'T DESERVED TO BE LOVED - TRACK BY TRACK EP REVIEW





Over a year after its release, singer/songwriter Luke Rainsford's EP "I Just Don't Deserve To Be Loved" is still is as moving, important and emotional as ever. Through raw and expressive vocals coupled with sorrowful lyrics - documenting struggles with loss, love and mental health - Rainsford is able to create something with a lasting effect that will, whether it be the first or thousandth listen, never fail to radiate pure and honest emotion.



"Looking For Your Ghost" is the first track on the EP and the first song that was written for this project, it's an incredibly beautiful and personal tale of loss. Gentle vocal melodies layered over chords that almost sound too happy contrast with the vulnerable lyrics and reflect on a time where Luke feels as if he "Didn't function as a human very well". Much like the other songs on "I Just Don't Deserve To Be Loved" it shows off Luke's impressive songwriting ability and truly sets the tone for the profoundly meaningful lyricism that runs through the heart of the EP. Gentle repeats of "I wear myself out, but only let you down" echo softly as they lead into the next proclamation of self-deprecation.

A just under two-minute song titled "I Can't Keep My Promises", which opens with a pleasant acoustic riff before introducing Lukes vocals, full of pain and heartbreak as he sings "You told me to be strong, but I just can't". It may be short, but it is grief-stricken and haunting, with the final words of "You're the reason why I do this" stuck echoing in your head, something you think about long after the track has finished - much like the events of a funeral, as Luke so sorrowfully sings about attending.

A ringing chord that finishes the track morphs slowly into "An Open Letter", a personal favourite of mine. It is packed with harmonies and composed in such a stunning way, a true representation of Luke Rainsford's incredible songwriting and vocal ability. The lyricism on this song is nothing short of incredible, I am constantly in awe of the complete raw honestly that Luke channels so well in everything he does and it is so poignant on this track. Pure cries of frustration are turned into compelling and passionate melodies in such a special way and the ending cry of "There's not a god, there can't be" is an unforgettable insight into grief, and how hard it can be.

"Sweet Briar" was the debut single from the EP, and is a perfectly catchy and upbeat impression of places, people and the deeper meanings they can have. Luke speaks about how he's "Always got very attached to the idea that a place can hold so many new meanings based on things that happen" - an idea that has been deeply rooted in his music ever since as far back as his debut album. This song is a very charming one, appealing and lively and acts as a break from the so far darker tones (Although it does feature a more pessimistic ending because; would it really be a Luke Rainsford song if it had a happy ending?)

Penultimate song "What I Can't Believe" throws us straight back into the gloom that we have come to know from Luke and it is possibly one of the darkest songs on the EP. A picture of hopelessness, feeling like "a stranger in your own skin". It's upsetting and it's emotional and lingering lyrics of grief and mental illness make it almost an uncomfortable listen, but it works in the best way.

"What I Hide Beneath" is an easy song to be fooled by - opening with positive lyrics and imagery paint this as a better period in the life of this songwriter, a time of feeling better - but it becomes painfully clear that this positivity is forced when the song breaks down into a much darker feel.
Luke states that "This song is about times where I lie to myself that I'm fine - rather than actually trying to help myself", Something that many people who struggle with mental health can be found guilty of at times, which is what makes it such a significant track and, coupled with a beautiful outro riff, a perfect close.

The sheer emotion and impact of "I Just Don't Deserve To Be Loved" makes it some of my favourite music ever written, and its ability to leave such a long-lasting and significant effect is something Luke Rainsford is so brilliantly good at. This EP is so incredibly important and I urge everyone to give it their time, as I am sure that you will also be blown away by Luke's ability to not only play guitar strings but heartstrings also.

AARON WEST AND THE ROARING TWENTIES - ROUTINE MAINTENANCE - REVIEW


Aaron West And The Roaring Twenties is one of my favourite musical projects. It is easy to resonate with the lyrical ability of Dan Campbell, the poetic storytelling and the brutally honest tales of love and loss which flow through the heart of the albums.

Dan is better known as the lead singer of Pennsylvania Pop Punkers The Wonder Years, with this being his 'side project' - although it doesn't make sense referring to it as such, due to it being a project that is art in its own right. Campbell refers to it as a "Character study through music" as it follows his fictional counterpart, Aaron West as he struggles with divorce, alcoholism and mental illness.
The album, "Routine maintenance" picks up exactly where the previous album left off - with one difference: Instead of running away from his past, Aaron is running towards a better future.

The album opens with "Lead Paint & Salt Air", a track which reintroduces us to Aaron and what he's doing through slow instrumentals and desperate vocals which fill the five-year-old, Aaron West shaped hole in listeners hearts before leading into "Just Sign The Papers". In an interview with RocksoundCampbell spoke of a "Redemption arc built into this album". This is an example of that, as it sees Aaron finally accepting his divorce in a way he never has before.

"Bloodied Up In A Barfight" is another acoustic anthem, haunted by emotional vocals as he sings of fights which lead him to travel towards LA in "Bury Me Anywhere Else", settling down with a roommate in "Rose & Reseda". Aaron is a character the listener connects with, in this almost magical way that can occur through Campbell's lyrical brilliance that is delivered in the most sincere, emotional way. The final and title track, "Routine Maintenance" offers closure for not only the album but for Aaron too. Through returning home and reconnecting with his family, we finally see him find the light he's been running towards.

The way Campbell can tell such an emotional story of character growth, blending poetry like lyrics with guitars, trumpets and horns - It shows his ability and growth. This is the best chapter in his story so far, but it's clearly not over yet. Campbell delivers the final line softly, but full of emotion,  really leaving the listener hoping Aaron can become "Someone you can count on for a change"